Print Encyclopedias
Encyclopedia of Contemporary Christian Music by
This groundbreaking work covers both major and minor Christian music artists and those associated with Christian music from the 60s to the present day, highlighting their influences, their struggles, and their achievements. Powell treats each artist or group with a balanced, intriguing, and fresh look into their background and discography. Every entry summarizes critical response to the group, and provides band member lists, complete discographies, lists of awards, artist website addresses, and biographies of the artists. The fun, easy-to-read writing style provides fans with accessible information on their favorite artists, while also encouraging them to greater appreciation of the stylistic breadth and historical depth of the music they have come to love. The CD-ROM features a searchable version of the complete text for both Windows and Macintosh systems, as well as live links to artist-websites, album information, and music clips. Mark Allan Powell has done a great service - not only to the vibrant scene we often call Christian rock, but to the rock and roll world in general and to the church. While it is true that many of us Christians have developed and relegated ourselves to a subculture, there are many artists living and working in this evangelighetto that have made and are continuing to make relevant and very beautiful art. Yes, some music made by Christians can truly be labeled trite and propaganda, but there is a vast universe of musicians who are fusing their faith with their art in an outstanding way. This encyclopedia helps legitimize those remarkable artists that, up until this point, were clustered away as legends in an unknown and ignored genre. Treating this art with the respect it deserves, along with the occasional but warranted criticism, does a great justice. Good art deserves to be appreciated and this book helps save my voice from having to shout as loud to get people's attention for it. Doug Van Pelt, Editor, HM Magazine Powell's Encyclopedia is exhaustive, all that you'll ever want to know about the artists and history of Christian rock. This is a noble work - honest, fair and complete - paying respect where it is also overdue, and honoring the genre's true artists alongside its most successful sellers. Careful to value the art of pop music, Powell's greatest contribution is the thoughtful theological insights and honest critical voice. I wish I'd written it. Brian Quincy Newcomb, pastor of Christ UCC, Maplewood, Mo., and freelance music writer, contributing regularly to the St. Louis Post-Dispatch and CCM Magazine Mark Allan Powell has accomplished a most formidable labor of love with the publication of this Encyclopedia of Contemporary Christian Music. With a fan's zeal and a scholar's dedication to research and accuracy, Powell has treated the music made by these artists - dismissed for too long by too many in the music business and the church - as a valid, and often vital chapter in the ongoing history of popular music and Christianity. Thorough, informed and opinionated, Powell's refreshing take on the music and its messages is an important contribution to this sadly overlooked phenomenon. Thom Granger, author and former editor of CCM magazine I wish this book had been available when I was working on mine. How Powell managed such comprehensive coverage is beyond me. This is certainly the defining volume of every recorded work our community has released. I am impressed and overwhelmed. So many of these works existed way under the radar and then disappeared almost instantly. It s important that they be remembered and archived for future generations. As a fan, and aspiring historian, I thank Mark Allen Powell from the bottom of my heart. John J. Thompson, Founder; True Tunes Etc., and Author of Raised By Wolves: The Story of Christian Rock and Roll More than a reference book, The Encyclopedia of Contemporary Christian Music is a fascinating commentary on the ch
Call Number: ML102.66 P68 2002Publication Date: 2004
Encyclopedia of World Pop Music, 1980-2001 by
In this eclectic encyclopedia, author Stan Jeffries chronicles the careers of over 110 musical artists from 37 different nations. Entries include biographical information, trace the entrants' musical development, and recount the performers' critical and popular reception. A collection of photos, an index by nation, and appendices of music industry awards and standards for gold and platinum certification by country complete this one-of-a-kind resource for music fans and aficionados. Popular music's global diversity is often overlooked in America, especially when performers achieved success in nations outside the United States. Some performers, such as A-Ha and Falco, are known as one-hit wonders in America despite their tremendous success elsewhere. Bands such as The Stone Roses and The Sugarcubes achieved cult or underground status in the United States but were headline acts in their native countries. And acts such as Dragon Ash, The Leningrad Cowboys, and Powderfinger--all but unknown in America-are considered landmark acts in their homelands.
Call Number: ML102.P66 J44 2003Publication Date: 2003
International Dictionary of Black Composers by
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Publication Date: 1999
Musicians and Composers of the 20th Century by
Scope and coverage: Each individual is musically classified in one or more categories, including Arrangers (Burt Bacharach, Marvin Hamlisch), Bandleaders (Benny Goodman, Glenn Miller), Hip-Hop Musicians (LL Cool J, Tupac Shakur), Jazz Musicians (Duke Ellington, Dizzy Gillespie), Rock Musicians (Kurt Cobain, Jimi Hendrix), and World Musicians (Bobby McFerrin, Tito Puente). Organization and format: Every essay contains ready-reference top matter, followed by a brief paragraph explaining the individual's significance. 'The Life' is a biographical account of the musician. 'The Music' provides analytical commentary on the musician's work, and 'Musical Legacy' describes the musician's influence on styles and genres. Special features: Volume 5 contains a General Bibliography, a list of Electronic Resources, a Glossary, Chronological list of musicians by birth year, and four indexes. At a glance: This title contains 5 Volumes; 1,800 Pages; 608 Essays (614 musicians); Pronunciation Guides; 'See Also' Cross-References; General Bibliography; Glossary; Chronological List of Musicians; Electronic Resources; Category Index; Geographical Index; Personages Index; Personages and Groups Index; and Works Index.
Call Number: ML105 .M883 2009Publication Date: 2009
The New Grove Dictionary of Jazz by
The New Grove Dictionary of Jazz, second edition is the largest, most comprehensive and accurate reference work on jazz ever published, putting the world of jazz at your fingertips. With articles on every aspect of the field, from jazz groups, composers and arrangers to instruments, terms,record labels and venues, the new edition is the ideal companion for scholars and enthusiasts in this rapidly growing field. The New Grove Dictionary of Jazz, second edition is unique: * No other title covers jazz to this extent across all forms and styles * The only way to be completely up-to-date with the full scope of writing in this field * Provides new perspectives to established areas of study--musicology, film and media, American studies, modern social history, women's studies and cultural studies, to name a few * Offers a one-stop resource to all the key names in the jazz world
Call Number: ML102.J3 N48 2001Publication Date: 2003
The New Grove Dictionary of Music and Musicians by
Since its initial publication in 1980, the Dictionary has been widely acclaimed as an indispensable resource and a classic reference. The word "updated" doesn't begin to describe the thousands of new articles, topics, cross-references, and areas of scholarship incorporated into The New GroveII. Every one of the first edition's 22,500 articles has been reviewed and revised, with thousands of articles expanded. Previously neglected or under-represented areas have been examined, explored, and explained. Movements and topics once deemed too controversial or too far from the mainstream havebeen added. And throughout, 6,500 new articles cover more than 5,000 years of music history, instruments, composers, institutions, performers, genres, and more. The New Grove II takes you beyond the customary and familiar into new worlds with extensive, authoritative contributions on non-Western music. From major influences, such as Latin American music, to less-examined contributions, such as Asian, sub-Saharan African, and Pacific Islander, The New GroveII presents the music, theory, instruments, and musicians that have helped to define music around the world.
Publication Date: 2003
The Oxford Companion to Music by
The Oxford Companion to Music is one of the most famous music reference works of all time. This invaluable Companion now reappears in a completely new edition. Over a million words in length, it is the biggest, most authoritative, and most up to date single-volume music reference bookavailable. The new edition draws on both the classic Oxford Companion to Music by Percy Scholes, first published in 1938, and the two-volume New Oxford Companion to Music, edited by Denis Arnold (1983), but is thoroughly revised and reimagined for the 21st century. Alison Latham has assembled a distinguished team of over 120 international contributors, bringing their distinctive voices to an exceptionally broad sweep of musical subjects ranging from composers, performers, conductors, individual works, instruments and notation, and forms and genres, to musicscholarship and aesthetics, music education, broadcasting and publishing, all aspects of music theory, and performance practice, as well as jazz, popular music, and dance. Entries range from brief definitions to in-depth essays on subjects such as politics, religion, psychology, and computers. Thisis a comprehensive, authoritative, and accessible source of information on all aspects of Western music.
Publication Date: 2002
Electronic Encyclopedias
Musicians and Composers of the 20th Century by
Benny Goodman, Dizzy Gillespie, Jim Morrison, Kurt Cobain...these are the people who helped shape the history of music. Their stories and others are told in Musicians and Composers of the 20th Century. This five volume set offers biographical and critical essays on over 600 musicians in just about every genre imaginable, from Accordion Players to Musical Theater Composers to World Music, and everything in between.
Publication Date: 2009- The Oxford Companion to Music by
The Oxford Companion to Music is one of the most famous music reference works of all time. This invaluable Companion now reappears in a completely new edition. Over a million words in length, it is the biggest, most authoritative, and most up to date single-volume music reference bookavailable. The new edition draws on both the classic Oxford Companion to Music by Percy Scholes, first published in 1938, and the two-volume New Oxford Companion to Music, edited by Denis Arnold (1983), but is thoroughly revised and reimagined for the 21st century. Alison Latham has assembled a distinguished team of over 120 international contributors, bringing their distinctive voices to an exceptionally broad sweep of musical subjects ranging from composers, performers, conductors, individual works, instruments and notation, and forms and genres, to musicscholarship and aesthetics, music education, broadcasting and publishing, all aspects of music theory, and performance practice, as well as jazz, popular music, and dance. Entries range from brief definitions to in-depth essays on subjects such as politics, religion, psychology, and computers. Thisis a comprehensive, authoritative, and accessible source of information on all aspects of Western music.
Publication Date: 2002
The Cambridge History of Music
The Cambridge History of American Music by
The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.
Publication Date: 2004
The Cambridge History of Seventeenth-Century Music by
The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music together with a vital questioning of the way in which such a history can be told or put together for our present purposes. Written by a distinguished team of experts in the field, the chapters not only address traditional areas of knowledge such as opera and church music, but also look at the way this extremely diverse and dynamic musical world has been categorised in the past and how its products are viewed from various cultural points of view. While this history does not depart entirely from the traditional study of musical works and their composers, there is a strong emphasis on the institutions, cultures and politics of the age, together with an interrogation of the ways in which music related to contemporary arts, sciences and beliefs.
Publication Date: 2005
The Cambridge History of Eighteenth-Century Music by
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain under-appreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.
Publication Date: 2014
The Cambridge History of Nineteenth-Century Music by
This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. It avoids mere repertory surveys, focusing instead on issues which illuminate the subject in novel and interesting ways. The book is divided into two parts (1800-1850 and 1850-1900), each of which approaches the major repertory of the period by way of essays investigating the intellectual and socio-political history of the time. The music itself is discussed in five central chapters within each part, amplified by essays on topics such as popular culture, nationalism, genius, and the emergent concept of an avant-garde. The book concludes with an examination of musical styles and languages around the turn of the century. The addition of a detailed chronology and extensive glossaries makes this the most informed reference book on nineteenth-century music currently available.
Publication Date: 2014
The Cambridge History of Twentieth-Century Music by
The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end. While the focus is on Western traditions, both 'art' and popular, these are situated within the context of world music, including a case study of the interaction of 'art' and traditional musics in post-colonial Africa. An international authorship brings a wide variety of approaches to music history, but the aim throughout is to set musical developments in the context of social, ideological, and technological change, and to understand reception and consumption as integral to the history of music.
Publication Date: 2014
The Cambridge History of Musical Performance by
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Publication Date: 2012
The Cambridge History of Western Music Theory by
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Publication Date: 2006
The Cambridge History of World Music by
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments - in Europe, Oceania, China, India, the Muslim world, North and South America - in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Publication Date: 2013
